Pacing is restrained, but that allows the atmosphere to come through, and pretty much all the same it excels in that aspect. Not all the story lines are very original, but they are always incredibly gripping with the mysteries not being too complicated or the identities being too improbable or obvious, Morse and Thursday's father/son relationship has a lot of warmth, is so well written within the stories and is a large part of the series' appeal and there is some good suspense (chilling in fact in the case of Fugue).
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The series is also every bit as intelligently written as Inspector Morse, it's every bit as entertaining and also every bit as tense.
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It was also a genius move to keep Barrington Pheloung on board, with his hauntingly beautiful scoring and immortal Inspector Morse theme, while the classical music and operatic excerpts are delightful to hear and fit perfectly (a notable example would be in the Fugue episode, the music having a beautiful and frightfully ominous effect). Endeavour looks great, the series throughout is exquisitely photographed and there is something very nostalgic and charming about the atmospherically evoked 1960s period detail. It maintains everything that makes Inspector Morse so good, while also containing enough to make it its own.
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Not just a more than worthy prequel series to one of my favourite detective dramas of all time and goes very well with it, but it is a great series on its own as well, one that got off to a good start, though some of the pilot and the first episode had a still-finding-its-feet-feel (understandably), and just keeps getting stronger.